![]() Characters in experimental theatreīenjamin brings together allusions from the ‘gestic’ nature of ancient Chinese theatre and the melodramatic postures of characters in El Greco paintings, to bring out the way that many of the stories and characters can be seen as gestures. ![]() They seem to have escaped, or were never part of, the fallen world of endless guilt. ![]() The only beings who seem to exist outside the punishing dyad of decaying authority figures and stricken sons are ‘the assistants’, that category of characters who are not serious, are frivolous, who giggle and fool around.
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